Press, publications and announcements

– Financial Times (UK), 2025. Feel the Sound at the Barbican Centre review.
https://www.ft.com/content/a704fce4-c4c9-44a7-bd15-81bf02928965

– XR Magazine, “A Focus On Cross-Arts Programming, With Immersive Being The Sixth Art Form” – Luke Kemp (Barbican Immersive)
https://xrmust.com/xrmagazine/luke-kemp-barbican-immersive/

– La Becque Résidence d’artistes, 2025.
https://labecque.ch/amor-munoz/

– Leonardo (MIT) / December 01 2022. Biocultural Transformations: Fermentation as Artistic Medium. Mariana Pérez Bobadilla , Rodrigo Guzman Serrano.
https://direct.mit.edu/leon/articleabstract/55/6/665/113255/Biocultural-Transformations-Fermentation-as?redirectedFrom=fulltext

– La Escuela__Artist-run platform for experimental learning and collective making in public spaces / Interview – Amor Muñoz with Sophia Sacal
https://laescuela.art/en/campus/library/conversations/text-ile-notes-on-amor-munoz-s-expanded-language-with-sophia-sacal

– Ideas Sónicas, 2024. Corpus Aquae: Las Bioinstalaciones de Amor Muñoz. Claudia Arozqueta.
https://files.persona.co/85292/Arozqueta-Mun-oz-Ideas-Sonicas.pdf

– Ars Electronica & Cisneros Fontanals Art Foundation, 2022. A Parallel (R)evolution: Digital Art in Latin America. Interview – Amor Muñoz , María Fernández (Cornell University) / Pages 18 to 47.
https://140088c8-19b8-4072-8948-7d1f8606c528.usrfiles.com/ugd/1400881b5b0a60bca6466c_8ecf492c50084033.pdf

– MUAC Museum (UNAM), 2020- 2021. Folio Hybrida / Interview – Amor Muñoz with curator Cuauhtémoc Medina.Pages: from 60 to 66.
https://muac.unam.mx/assets/docs/folio085_amormunoz.pdf

– Artnet, 2023. South Korea’s Homegrown Fair, Kiaf Seoul, Strives to Win the Hearts of a Growing International Art Crowd.Experimental works with a biological bent stood out amid the commercial pieces dominating the regional fair.
https://news.artnet.com/market/kiaf-seoul-2023-2359105

– Ocula, 2023. In Frieze Seoul’s Shadow, Kiaf Features Memorable Works.
https://ocula.com/magazine/art-news/kiaf-features-memorable-works/

– Artnews – April, 2022. Ella Fontanals-Cisneros, Ars Electronica Launch Prize for Latin American Artists Working With Technology.
https://www.artnews.com/art-news/news/cifo-ars-electronica-award-2022-winners-1234625123/

– Ars Electronica, 2022. Chimera: Expanded Bodies / Amor Muñoz.
https://ars.electronica.art/planetb/en/chimera-expanded-bodies/

– Artnews – January, 2022. The best booths – Zona Maco.
https://www.artnews.com/list/art-news/news/zona-maco-2022-best-booths-1234618683/

– Kadist / Yuca-Tech: Energy by Hand.
https://kadist.org/work/yuca_tech-energy-by-hand/

– MUAC Museum (UNAM), 2021. Hybrida exhibition. Amor Muñoz.
https://muac.unam.mx/exposicion/amor-munoz?lang=en

– E-flux – November 2021. Biennial of the Biocene: Change the Green to Blue / Bienal de Cuenca.
https://www.e-flux.com/announcements/421683/biennial-of-the-biocene-change-the-green-to-blue

– Deutsche Welle. Documentary, 2019-2020. The Future is Now! 100 years of Bauhaus. Documentary-Interview with Amor Muñoz about Yuca-Tech project (minute 17:35)
https://www.dw.com/en/the-future-is-now-100-years-of-bauhaus/a-38681651
https://www.youtube.com/watch?v=2uVWAS6Q6AY

– RAW: Craft, Commodity and Capitalism. Catalog – Holly Jerger / Craft Contemporary Museum
https://www.craftcontemporary.org/wp-content/uploads/2020/05/RAW-Catalog.pdf

– Tactical and Tactile Resistance at the Intersection of New Media and Indigenous Textile Arts. Thea Pitman /2020.
https://www.researchgate.net/publication/346979189_Tactical_and_Tactile_Resistance_at_the_I ntersection_of_New_Media_and_Indigenous_Textile_Arts’

– Frieze, 2019. The Havana Biennial and Its Discontents. ‘The Construction of the Possible’ is the uneven result of a clash between artists and the Cuban government.
https://www.frieze.com/article/havana-biennial-and-its-discontents?utm_source=mutualart&utm_medium=referral

– Google Arts&Culture. Notes and folds by Amor Muñoz, 2019.
https://artsandculture.google.com/story/notes-amp-folds-amor-muñoz/fQXRTO3ahVcMeA?hl=en

– Centre for Heritage, Arts and Textile (HK), 2021. Interweaving Poetic Code.
https://www.mill6chat.org/event/interweaving-poetic-code/

– An@lítica (UAM) / 2019. BAUHAUS IN YUCATECH. A piece of work from the artist Amor Muñoz. Mónica Fca. Benítez Dávila*
https://share.google/XqB0RY4oxNavCTCRa

– The Modern Art Notes Podcast by Tyler Green / 17-08-2017 / The interview with Amor Muñoz is about Soundtracks, the exhibition at SFMOMA.
https://manpodcast.com/portfolio/no-302-soundtracks-at-sfmoma-jacqueline-kiyomi-gordon-amor-munoz/

– Soundtracks Exhibition at SFMOMA, 2017. Rhythmic Manufacture (2015/2017) by Amor Muñoz.
https://www.sfmoma.org/read/amor-munoz/

– New York Times / 31-12-2012 / A Factory on Bicycle Wheels, Carrying Hope of a Better Life (The article talks about Maquila Region 4, a social project with electronic textiles).
https://www.nytimes.com/2012/12/31/world/americas/mobile-factory-with-hope-for-a-better-life-mexico-city-journal.html